| THE
HISTORY OF JUJITSU ANCIENT WARRIORS Though
the exact origin of Jujitsu is unknown, it is
agreed that the Japanese Jujitsu techniques were
a culmination of many ancient forms used by other
oriental warriors. It has been a point of mu ch
dispute as to how the martial arts of China and
Japan came to be. The most plausible theory, and
the one most supported by hard evidence is that
the basis for the oriental unarmed combat forms
originated in Greece. Six centuries before the
earliest Japanese record of unarmed combat, a
martial sport, very close to modern Jujutsu,
existed in Greece. This grappling and striking
martial art was called the PANKRATEON, meaning
the all powerful art. It was introduced into the
Olympic games of Greece in 648 B. C. and
continued to be practiced in that country until
about 400 A.D. There are many depictions of the
techniques of the art on pottery, frescos, and in
statuary. The techniques precisely match those of
Jujutsu. The Pankrateon art was part of the basic
tra ining of the Greek warriors under Alexander
the great, and many of the Pankrateon champions
were, in fact, soldiers. It is now believed that
when the troops of Alexander invaded India in 326
B.C., that at least part of the unarmed martial
form was left be hind with local warriors. It is
widely accepted that the basic tenants of the
Chinese martial forms were derived from India and
then in turn, heavily influenced the Japanese.
Fighting forms have existed for centuries in
Japan, but few were re corded, thus precise
dating is impossible. There were, however, orally
passed traditions that mention early combative
confrontations in ancient Japan. Their exact
origins are shrouded in mythology. The earliest
mention of a sportive fight was a style called
Chikura Kurabe. Another early tale is of Takemina
Kata-no-Kami; a commoner, and
Takemikazuchi-no-Kami; a divine champion. They
are recorded in ancient tradition as having a
combative wrestling match. Another tradition
recorded in the NIHON-SHOKI refers to an early
fighting style called Sumai (meaning struggle),
and states that the style may have existed as
early as 23 B.C. Here the story is of one
Nomi-no-Sukune of Izumo who defeated
Tajima-no-Kehaya on a beach in Shimane Prefecture
by fracturing Kehaya quotes ribs with a side
kick, throwing him to the ground and then
trampling him, crushing his pelvis and ultimately
killing him. This was supposedly witnessed by the
Emperor Suinin. Most of these early combative
forms resembled modern Sumo and wrestling. Some
of the ancient recorded styles were Tekoi, Sumai
and Kumi-Uchi. Kumi-Uchi was a battlefield type
of Sumai. It was developed especially for battle
against an opponent in lightweight armor. The art
did not need gripping to make the techniques
work. The techniques were based on strong hips
and legs which were used to maintain contact with
the enemy and throw him to the ground. Another
ancient form of Jujutsu was centered around the
manipulation of joints and the immobilization of
the limbs. It was called Yawara. These combat
arts existed with little change for over 600
years.
THE MINAMOTO CLAN
Around 700 A.D. the Japanese began to have
more frequent contact with the people of China.
Through these contacts, bits of Chinese culture,
religion and art became assimi lated into the
Japanese society. It is during this time, the
Heian period, that Jujutsu took the form it has
today. Though there were already established
combat arts in Japan, this new style of fighting
became the most popular. About 875-880 A.D., one
of t he sons of Emperor Siewa met a Chinese man
who taught him a few fighting techniques. From
these techniques and principles, Teijun Fujiwara
(sometimes called Sadazumi or Sadagami) developed
a fighting art he called Aiki-Jutsu. Teijun
Fujiwara taught these techniques exclusively to
the royal Minamoto family where it remained a
secret style until the early 1100 quotes. At that
time, two sons of Minamoto no Yoriyoshi (a 16
generation descendent of Emperor Seiwa and ruler
of the Chinjufu area of Oshu) began to thoroughly
develop, organize and catalog Aikijujutsu
techniques. Minamoto no Yoshimitsu (also known as
Shinra Saburo or Genji ) (1036 - 1127 A.D.) and
Minamoto no Yoshiie (Hachimantaro) (1041 - 1108
A.D.) were both Yamusame (archery) and To-Ho
(swordsmanship) masters, brought up in the
tradition of their forefathers. They both worked
together to develop their families fighting
techniques by dissecting cadavers and studying
the working of the muscles and bones. Yoriyoshi
quotes eldest son Yoshikiyo was also a famous
warrior who fought against Abe no Sadatou in the
Zen Ku Nen war (1051 - 1062) and was victorious
against Abe at the battle of Koromogawa no
Yakata. If Aikijujutsu would develop anywhere, it
would be here in the most famous military family
in Japan. It was Minamoto Yoshimitsu who named
his family style Daito-Ryu AikiJujutsu after his
estate called Daito. Minamoto no Yoshikiyo moved
to the Kai region and became the head of that
branch of the Minamoto family. He called that
branch KaiGenjiTakeda. KAI was the region, GENJI
the ancient family name and TAKEDA was the town
from whence he chose the new family name. The
Takeda family ran several martial arts schools in
the area for over 400 years. The only two
surviving Yamusame schools Takeda-Ryu and
Ogasawara-Ryu come from the schools of Takeda no
Yoshikiyo.
THE MUROMACHI PERIOD
During the Muromachi period (1392-1537) there
was another Jujutsu school that was greatly
influential. Takenouchi-Ryu was founded by
Takenouchi Hisamori (also called Takeuchi
Toichiro) in 15 32. Hisamori had spent time in
the mountains with a Yamabushi (hermit mountain
warrior) and had learned five arresting
techniques and some principles of evasion. He
combined these techniques with his knowledge of
Kumi-Uchi to make a Jujutsu style he calle d
Kogusoku. Later this style was renamed
Takenouchi-Ryu Jujutsu. The second headmaster of
Takenouchi-Ryu, Hisakatsu, added Shinken Shobu
(deadly fighting). The third headmaster added
Torite (restraining). One of its core teachings
was that of Koshi No Mawa ri, or grappling in the
light armor of the day. It became one of the
three core styles of Jujitsu. \par Another school
of Jujitsu that became popular was founded during
the same period by Akiyama Shirobi Yoshitoki, a
doctor from Nagasaki. He studied striking and
kicking techniques in China under Haku-Tei (also
called Pao-Chuan), along with 3 Yawara techniques
and 28 different types of Kassei-Ho. Akiyama
returned to Japan and began to teach these forms
but found it hard to keep students with so few
techniques. As a result, Akiyama retired to the
temple of Temmangu at Tsukushi about 1723 to
study the techniques and attempt to expand on
them. During his winter stay he one day noticed
snow piling up on the branches of the trees
outside the temple. He saw that whereas the snow
piled heavily on the branches of the great oak
tree, is slipped harmlessly off the pliable
branches of the willow tree. Eventually the
branches of the oak tree began to break under the
weight of the snow, but the willow branches
simply yielded and allowed the snow to fall off,
there by saving the tree. This brought a great
enlightenment (satori) to Yoshitoki and he used
the concept of JU (suppleness) to increase his
techniques to 103. From his experience at the
temple he decided to name his style Yoshin-Ryu
(willow heart school). This ryu is also called
Yanagi-Ryu and Miura-Ryu after two of its most
famous teachers. AIZU Takeda Harunobu (Shingen)
(1520 - 1573) was a descendent of Minamoto
(Takeda) no Yoshikiyo and one of the great
warriors of the Sen goku era. Besides being a
sword, spear and archery master, he was a great
leader in battle. He warred against Uesugi
Kenshin, the ruler of Echigo in his most famous
battle known as Kawanakajima in 1561. In those
days a wealthy samurai had several retainer s
under him to take care of many tasks which ran
from administration of troops, to running
training camps. Shingen had several illustrious
retainers, namely Sanada Yukitaka, Obata Toramori
and Yamamoto Kansuke (who wrote the famous HEIHO
OKUGI SHO). During Haranobu quotes great military
career he came into conflict with the Tokugawa
clan. In a decisive battle in 1572, Takeda
Shingen beat Tokugawa Ieyasu. Even though this
was a great victory for the Takeda clan, Shingen
died from wounds sustained in his clash with the
Tokugawas while on his way to Kyoto. In April of
1573, Takeda Kunitsugu brought the last will and
testament of Takeda Harunobu to the ruler of
Aizu, Ashina Moriuji. Ashina was a long time ally
of the Takedas and turned over his portion to
Kunitsugu. Takeda Kunitsugu received a large
estate and farm lands from Ashina and was
persuaded to stay in Aizu as a swordmaster. From
that day forward the Takeda family lived and
taught Aikijujutsu in Aizu. In one fateful event
in February of 1582, the unbroken line of Takeda
Aikijujutsu masters came to an end. It was during
that month that the forces of Oda Nobunaga and
Tokugawa Ieyasu took revenge for their loss in
1572 and attacked Takeda Katsuyori (the son of
Takeda Harunobu) and was victorious over the
Takeda c l an. As any samurai who felt he had
failed his family would do, Katsuyori committed
ritual suicide (seppuku). Luckily, the art had
been passed onto the retainers of the Takeda
family who continued the tradition. The most
famous were: Sanada Yukitaka, Sanad a Masayuki,
Sanada Yukimura, Sanada Nobuyuki, Yamamoto
Kansuke, Obata Toramori and Obata Kanbei
Kagenori. It must be understood that the teaching
of the martial arts was restricted to extended
family and retainers at that time. The
headmastership was only passed on from father to
son, unless there was no heir. In this case the
headmaster was chosen from the head retainer or
from a close male member of the extended family.
The techniques that were taught as a matter of
course to the footsoldiers (ashigaru or chugen)
were simple, unrefined movements. Though they
were combat effective, they depended on strong
legs and hips and a powerful body rather than the
skill of a true martial science. Many of the
techniques that influenced the formation of Judo
which came from the Kito-Ryu and the Tenshin Shin
quote Yo-Ryu were the techniques of the Chugen.
The Goshinkiuchi or secret teachings (later
called Otome-Ryu by the Daito-Ryu masters) were
only taught to the top classes of samurai.
Knowledge of these methods were not allo wed to
pass to the lower level retainers. Also, during
this period families actually kept their
knowledge a family secret. This allowed for
superiority in battle against opposing family
clans. Because the Aizu retainers were now the
headmasters of Takeda-R yu Aikijujutsu (Daito
Ryu), the development of this style remained
untouched in that area for another 250 years.
This branch of the family came to be known as
Aizu Takeda. They were renowned in Japan as great
swordmasters. There were 5 styles of TO-HO and
two of Aikijujutsu (Mizu no Shinto-Ryu and
Shinmyo-Ryu) practiced by the Aizu Takeda.
Additionally, there were many private schools in
Aizu including 22 for Kenjutsu, 14 for
Battojutsu, 16 for Jujutsu, 7 for Yamusame, 16
for Gunnery and 4 for Spear. Students in that
area also studied Naginata, Bojutsu, Kusarijutsu,
Kacchu Kumiuchi and Jinchyu Ninjitsu. In all
there were over 90 schools thriving in the Aizu.
At one time there were over 700 documented
Jujitsu schools in Japan. Many called their art
Jujitsu, while others used such names as Ju-Do,
Aiki-Do, Taijutsu, Koshi-no-Mawari, Torite,
Kenpo, Wajutsu, Hudaka, Hobaku, Shubaku and
Yawara. All these were Jujitsu.
Yours in Martial arts,
Hanshi Taxiarhis Karalis,Hachidan (8th
Dan), JuJitsu
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